They switched and swapped till they were dizzy with thrills! New partners all the time—such marvelous sexy fun. Or was it?
This artwork was originally used for Dial “M” For Man before being altered.
Tag: Painting
Assignment: Nazi Occupied Paris
Orders To: O.S.S. Agent William Harmon: Rescue 14 French Prostitutes Whose Secrets Can Save The Normandy Invasion
Murder Theme
Let’s Trade Corpses
Wuthering Heights (1951)
Track, Master Of D.E.A.T.H.
Tragic Ground (1958)
From the back:
Nobody’s Hometown
In this pungent Erskine Caldwell novel about a collapsed boom town, penniless Southerners in a squatters’ slum fill their jobless days with casual ribaldry and haphazard lovemaking. The story of a shiftless migrant’s rowdy mixups with pretty social workers, his worries over his wild daughters, and his stubborn loyalty to his squal-id neighborhood, Tragic Ground blends the earthy humor and pathos that have made Cald-well’s books sell over 35,000,000 copies.
The Shell Scott Sampler
![43130748-7606622344_848148552a_o[1] thumbnail](https://pulpcovers.com/wp-content/uploads/2012/07/43130748-7606622344_848148552a_o1-59x100.jpg)
![43130748-7606622344_848148552a_o[1]](https://pulpcovers.com/wp-content/uploads/2012/07/43130748-7606622344_848148552a_o1.jpg)
Watch Her Die Screaming, Gringo Dog!
A Cheap Date Can Cost A Life!
Somebody Stole My Gal
Come On In!
The Hunt Club
The Love Clinic (1966)
Four women submit to scientific experimentation to help solve their intimate problems…
From the back:
Four Women
Naomi R. — Could her marriage truly be violated by a forcible intruder in her bed?
Helena A. — Whom had she betrayed? Her husband? Or the stranger she met in a motel room one night?
Helga J. — To her, physical love was a “dialogue” — an intimate “conversation” with any man she liked.
Joan O. — Was her happy, normal marriage the most devastating sexual problem of all — after her “innocent” fantasy turned into a flesh-and-blood man?
This cover was pieced together out of existing artwork the publisher already owned. The woman on the right is a previously unused Tom Miller painting (probably a rejected cover for a different book). The woman on the far left is from the cover of Bedrooms Are Not For Sleeping, the middle-left one is from Group Sex, and the middle-right is from The Love Trap.
via and via Steve Wallace
