Her Job was to Keep the Bosses Happy, and It Wasn’t by Taking Dictation!
Wait, what?
Honestly, the only reason I posted this one is the look on that guys face. Simply priceless!
“It was her job to see that the young widow forgot about the tragedy of her honeymoon…and she intended to earn every penny of the salary being paid her!”
From the back:
For Muriel, it was the chance of a lifetime, being hired as a resident nurse and personal companion to the young socialite who had been widowed on her wedding night. Erin Lenox had the face of an angel and the body of a goddess and the shock of her tragedy had left her seething with unfulfilled needs and pathetically vulnerable and susceptible to any form of affection.
Muriel knew it was only a matter of time before she’d be able to show the girl a different kind of love… a different source of forbidden passion. And, once initiated, Muriel was confident that their roles would be reversed… she’d be the mistress and Erin Lenox, the slave.
She’d own that lovely face, that glorious body… and most of all, all that wonderful money!
A cropped version of the painting was also reproduced in the adventure pulp Men’s, January 1968, for the story “Encounter on the Beach” by Frances Lengel. The lesbian theme is gone and it was used instead to illustrate a story about man and woman meeting on the beach:
“My fingers caressed her skin with sun-tan oil, and I could feel the tension leaver her….. soon her whole body was responding to my touch.”
They even made the standing leg more masculine for the magazine reuse
Edit: Added alternate cover from a reprint
Her body was ripe for love — Any kind that came along
I would really like to know what is happening in this picture.
“One was a nymphomaniac… one wanted to be loved for her body… one did her best “work” after hours. And each fit neatly into the fastest-paced diamonds-and-dollars heist on record.”
This painting illustrated the story “Three Couple Affair” in Stag magazine in May 1967. via via
Why is that Nazi officer painting flowers on a woman in her underwear? Because he is JUST THAT EVIL!
Also featuring ‘Rotten Meat Bootleggers’, ‘The Thrill-Kill Pack’, and ‘Why You Girls Turn Into Unbridled Sex Kittens: The Bedroom Rebels’
Edit: Added original/alternate artwork. Clearly, it is a different version of the same scene. via
Update: SubtropicBob noticed the same thing, but he had the artist’s phone number, so he called and asked what was up with the nude variant. It seems that someone bought the original painting years ago and repainted it with nudity in an attempt to increase its resale value. He also included the interior artwork for this coverstory, which I have now added here.
Every 468th man in this slaphappy, oil-soaked “Arabian Nights” Paradise in a millionaire plus — living high off the camel in air-conditioned, neon-lit palaces with a beauty pageant parade of wives and mistresses “imported” from around the world.
When is the last time you hear Kuwait described as “slaphappy”?
Stag, February 1966 via
Elsa was married to Ernie, ans all she ever talked about was her former boy friend and how wonderful he was. Then, one August weekend, Ernie found a way to shut her up — my making another woman cry for joy…
This painting, for the October 1966 issue of Stag, was redrawn for the August 1971 True Action, rendered as a black and white illustration of a now-topless woman.
When the new young doctor came to Westfield, he carried a bagful of the latest medical tricks. But there weren’t enough for Laura Spencer, who needed “extra-special” attention…
Action for Men story illustration, July 1973
This is a pulp-cover-style painting with pulp covers in it! Meta-Pulp!