Tag: Magazine
Cyanide On Delivery
Keep Your Gunhand Hanging Free, Kid!
Finding The River Of Gold
Also featuring (and reusing the cover art from) Ann Dawes: Love Queen of the Pygmies and The Yank Who Became A Fertility God
Were The Girls Dressed To Die?
Deep-Sea Diplomacy
I Looted The Red’s Blood Gold Millions
The panicked girl in this cover was later reused by the artist for a similar illustration involving Nazis for the January 1968 issue of Male
This issue also features We Ran ‘Divorce Swap’ — America’s Hottest Sin Club, Foul-Up Credit Snoops (Their Phony Facts Ruin Millions Of Americans), and 20 Ways To Boost Your Love Partner’s Performance
The GI Who Led A Cannibal Army
He had to make love to the most ferocious females on earth — while he led their head-hunting husbands into battle!
We Found The Slave Trader’s Treasure Of Madagascar!
$44,000,000 In Rubies And Sapphires
The Blood Drunks: Congo Cannibal “Crocodile” Cult
Taboo Trek to the Village of Crocodile Women
Also, How Science Can Make You A Better Lover
I Rode With Castro’s Killers
Also featuring The Queen Who Was Hungry For Love and Are You A Woman Hater?
Violent Death Haunts the Bed of Forbidden Emeralds
Smash The Nazis’ Castle Of Torment
Also featuring Revealed: The Latest In Campus Sex Orgies, Give Your Daughters To The She-Monster From Hell, Expose: How Divorcées Satisfy Their Lust Needs, and Swim Through Your Own Blood To Slaughter Beach
Execution Of Convoy PQ17
The British Blunder That Lost 500 GI Lives — Tactical error? Sellout? Act of cowardice? There’s never been an explanation for this 24-ship half-a-billion-dollar tragedy…
Also featuring Daytime: Miss Society, Nighttime: “Any Bed” Dolly — The blonde scandal that set the world on its heels and The Great Tramp Army That Held The Hills Of Cyclades — From deep in the Greek mountains they engaged the enemy, a wonderful, straw-hatted, tobacco-chewing, death-dealing hero brigade
Magazines in 1960 saved on printing costs by keeping full-color pages to a minimum, using mostly two-color images for illustrations. In this case, the publisher only wanted to pay for one full-color page for this two-page story spread, so Charles Copeland actually painted this image half color, half duotone.